A practitioner sits before a grimoire, the Ars Goetia open to the forty-eighth entry. The description reads: a bull with griffin’s wings that first appears as a beast, then takes human form at the conjurer’s command. This is Haagenti, a president of Hell who teaches all arts, turns water into wine, and transmutes base metals into gold. Among the seventy-two spirits, he occupies a distinct niche — one that blends alchemy, practical wisdom, and a temperament far removed from the warlike or deceptive demons that surround him in the hierarchy.
Haagenti is a Goetic president who grants wisdom, transmutes metals, and turns water into wine. Among the seventy-two spirits, he stands out for his alchemical associations and his role as a teacher of practical arts, distinct from warlike or deceptive demons like Buer, Marbas, and Paimon.
The definition arrives inside the opening, after the hook. Haagenti is the forty-eighth spirit of the Ars Goetia, the first book of the Lemegeton. He rules thirty-three legions of spirits and bears the title of President. His sigil, a complex geometric seal, is used in evocation to call him into a triangle of art. What makes Haagenti worth comparing to his peers is not just his power set but the specific tradition he represents: the intersection of demonology and practical alchemy.
Where Haagenti Appears in the Grimoire Tradition

The Ars Goetia as we know it dates to the seventeenth century, but its roots run deeper. Johann Weyer’s Pseudomonarchia Daemonum (1583) lists Haagenti as one of the seventy-two spirits, though the earlier text gives fewer details. Weyer, a physician and student of Agrippa, compiled his catalogue from earlier grimoires and oral traditions. In Weyer’s list, Haagenti appears as “Haagenti” or “Hagenti,” a president who “makes men wise” and “teaches all arts.” The Lemegeton expanded this, adding the bull-griffin form and the transmutation powers.
That history matters because it places Haagenti in a lineage of spirits associated with knowledge rather than destruction. Compare him to the first spirit, Bael, a king who appears with three heads and commands sixty-six legions. Bael’s domain is invisibility and political power. Haagenti’s is craft and transformation. The difference reflects a deeper divide in the Goetic system: some spirits govern war, love, or deception; others govern learning and making.
What Haagenti’s Symbolism Actually Means
The bull with griffin wings is not a random image. The bull, in alchemical symbolism, represents the earth element, fixity, and the prima materia — the raw substance that must be transformed. The griffin, a hybrid of lion and eagle, symbolizes the union of opposites: earth and air, base and noble. Together they signal Haagenti’s core function: transmutation, both literal and spiritual.
This symbolism sets Haagenti apart from spirits like Marbas, who appears as a lion and heals diseases and teaches mechanics. Marbas is a president too, but his domain is the body and the machine. Haagenti’s is the material itself — the metal, the liquid, the substance that changes form. Where Marbas fixes what is broken, Haagenti transforms what is base into what is valuable.
The water-into-wine power echoes the New Testament miracle, but in the Goetic context it serves a different purpose. Wine is a symbol of blood, spirit, and transformation. Haagenti does not merely change the chemical composition; he changes the essence. That is why he is called a teacher of all arts: the arts are themselves acts of transformation, raw clay into pot, raw words into poem.
How Haagenti Is Invoked Compared to Other Spirits
In practice, Haagenti is typically summoned during the hour of Jupiter or Venus, depending on the desired outcome. Jupiter for wisdom and teaching; Venus for transmutation and alchemy. His seal is drawn on virgin parchment or engraved on a copper plate, copper being the metal of Venus and a symbol of the alchemical vessel.
Compare this to Buer, a president who appears as a star-shaped body with five legs. Buer is called for healing and philosophical knowledge, and his preferred hour is the hour of the Sun. The planetary correspondences are not arbitrary. They reflect each spirit’s nature. Buer’s solar association fits his role as a bringer of light and health. Haagenti’s Venusian connection points to generation, transformation, and the union of opposites.
The offerings also differ. Some practitioners offer Haagenti wine, bread, or incense of frankincense and myrrh. For Buer, herbal offerings like sage or rosemary are common. For Marbas, a small mechanical object or a written problem. Each offering is a key that matches the lock of the spirit’s nature.
Haagenti vs. Other Goetic Presidents
The Ars Goetia lists seven presidents: Marbas, Buer, Botis, Morax, Ipos, Glasya-Labolas, and Haagenti himself. Each rules a domain, and comparing them reveals Haagenti’s unique position.
Marbas (fifth spirit) teaches mechanical arts and heals diseases. He answers questions about hidden things. Haagenti teaches all arts, not just mechanical ones, and his healing is indirect, through transformation rather than direct cure.
Buer (tenth spirit) teaches herbal medicine and moral philosophy. He appears as a star with five legs. Buer is the scholar of natural philosophy. Haagenti is the alchemist. Buer works with plants; Haagenti works with metals and liquids.
Botis (seventeenth spirit) appears as a viper and then a human with great teeth. He reconciles friends and foes and answers questions about the past and future. Botis’s domain is relationships and time. Haagenti’s is matter and skill.
Morax (twenty-first spirit) appears as a bull with a human face. He teaches astronomy and the liberal arts. Morax is the teacher of theory; Haagenti teaches practice. Morax knows the stars; Haagenti knows the forge.
Ipos (twenty-second spirit) appears as a lion with a goose’s head and a hare’s tail. He grants wit and courage. Ipos is about boldness and cleverness. Haagenti is about craft and patience.
Glasya-Labolas (twenty-fifth spirit) appears as a dog with griffin wings. He teaches all arts and sciences instantly, and he incites bloodshed. Glasya-Labolas is the dangerous teacher, the one who gives knowledge without wisdom. Haagenti gives knowledge with transformation, the student becomes something new.
That last comparison is crucial. Glasya-Labolas and Haagenti both teach all arts, but their outcomes differ. Glasya-Labolas is a murderer; Haagenti is a maker. The Goetic system is not a simple hierarchy of good and evil. It is a spectrum of intent.
Common Misconceptions About Haagenti
The first misconception is that Haagenti is purely about material wealth. Yes, he turns metals into gold. But alchemy in the esoteric tradition is never only literal. The gold is also the philosopher’s stone, the perfected self. Haagenti’s transmutation is a metaphor for inner change. To call him only for money is to miss his deeper purpose.
The second misconception is that Haagenti is dangerous. Among the presidents, he is considered one of the more cooperative spirits. He does not deceive or threaten. He teaches. That does not mean he is safe, no Goetic spirit is safe in the sense of being harmless, but his reputation is milder than that of, say, Paimon (a king who must be treated with extreme respect) or Beleth (a king who arrives with great fury).
The third misconception is that Haagenti’s water-into-wine power is a literal party trick. In the grimoires, it is listed as a power. But in practice, it is understood as a demonstration of the spirit’s ability to alter the nature of a substance, which is the same principle as alchemical transmutation. The wine is a symbol of the transformed spirit.
FAQ
Is Haagenti evil?
No more than any Goetic spirit. He is a teacher and transformer, not a deceiver or destroyer. His domain is the art of change, which can be used for good or ill depending on the practitioner.
Can Haagenti turn water into wine literally?
The grimoires say he can. In practice, most modern conjurers treat this as a symbolic demonstration of his transmutative power rather than a literal request.
What is Haagenti’s sigil?
His sigil is a geometric seal composed of intersecting lines and curves, typically drawn on parchment or engraved on copper. It is found in the Ars Goetia and reproduced in most modern editions.
How does Haagenti compare to Buer?
Buer teaches herbal medicine and philosophy; Haagenti teaches all arts and transmutation. Buer is solar, Haagenti is Venusian. Both are presidents, but their methods and domains differ sharply.
The comparison of Haagenti to his peers reveals a spirit who is both a teacher and a maker, a figure of transformation rather than destruction. For those working with the Goetic system, understanding these distinctions is essential. The spirits are not interchangeable. Each has a specific nature, a specific seal, a specific hour. Haagenti’s is the hour of craft.
For a deeper look at the seventy-two spirits and their correspondences, see our guide to demonology and the Goetia. You may also find our glossary of Goetic terms useful, as well as the practical guide to invoking Goetic presidents.
