A Roman priest once told a Greek colleague that his gods had no myths, only rituals. The Greek laughed. The Roman was not joking. The same distinction applies to the seals of the Goetia. They are not illustrations. They are instruments.
What Is the Seal of Amy?

The Seal of Amy is a specific sigil used to govern and communicate with the Goetic president Amy, a spirit described in the Ars Goetia. It is a geometric diagram composed of interlocking lines, circles, and symbols that function as a spiritual interface. The seal is not decorative. It acts as both a summoning device and a binding tool — the precise point where the operator and the entity meet.
What Is the Seal of Amy?
The Seal of Amy is a unique sigil assigned to the spirit Amy (also called Auns or Avnas) in the Ars Goetia, the first book of The Lesser Key of Solomon. Amy is the fifty-eighth spirit listed, a president who commands thirty-six legions of infernal spirits. The seal is the graphic representation of Amy’s authority and the means by which a practitioner establishes contact.
The seal itself consists of a central cross-like structure with curved arms, flanked by smaller geometric elements and enclosed within a circular boundary. Each line, curve, and intersection carries specific meaning. The seal is not a random design. It is a coded signature that, when drawn correctly, creates a resonance between the material world and the spiritual plane Amy inhabits.
For a full overview of the system that governs these seals, see our complete guide to demonology and the Goetia.
Historical Origins of the Seal of Amy
The seal appears in the earliest known manuscripts of the Ars Goetia, including the seventeenth-century Lemegeton manuscripts held at the British Library (Sloane MS 2731 and Sloane MS 3648). These texts were compiled from earlier grimoire traditions, drawing on medieval Jewish angelology, Arabic astral magic, and Christian demonological classifications.
The Goetic spirits and their seals trace their lineage through several key texts. The Testament of Solomon, a pseudepigraphical work from the first to third centuries CE, describes King Solomon binding demons to build his temple. By the Renaissance, European magicians had systematized these spirits into hierarchies. Heinrich Cornelius Agrippa’s Three Books of Occult Philosophy (1533) provided the theoretical framework. Johannes Trithemius contributed the cryptographic methods used to construct the seals.
The seal of Amy, like all Goetic seals, was designed using a combination of planetary squares, angelic scripts, and the Hebrew alphabet. The specific geometry of Amy’s seal corresponds to the planetary influence of Venus, as Amy is associated with the Venusian sphere. This connection explains the curved, flowing lines of the seal, which differ from the angular, martial designs of spirits under Mars or Saturn.
Symbolism and Design of the Seal of Amy
The seal operates on multiple symbolic levels. At its most basic, it is a signature. In medieval magic, a spirit’s seal functioned like a personal name written in a language the spirit could not ignore. Drawing the seal was equivalent to calling the spirit by its true name.
The central cross of the seal represents the intersection of the material and spiritual worlds. The vertical axis connects the celestial and the infernal. The horizontal axis bridges the visible and invisible. Where they cross is the point of contact, the place where the magician stands.
The curved arms of the seal reflect Amy’s nature as a president. In the Goetic hierarchy, presidents are spirits of moderate power who govern specific territories and legions. They are not kings or dukes. They are administrators. The curves suggest flexibility, negotiation, and diplomacy. Amy is said to teach astronomy and liberal sciences, to give familiars, and to reveal treasures guarded by other spirits. The seal’s geometry encodes these functions.
The circular boundary that encloses the seal serves a dual purpose. It contains the spirit’s power within a defined space, preventing uncontrolled manifestation. It also mirrors the magic circle the practitioner draws, creating a bounded sacred space where communication can occur safely.
For a detailed list of all Goetic seal designs, visit our glossary of Goetic symbols.
How to Use the Seal of Amy in Practice
The seal is not a passive symbol. It requires active use within a ritual framework. The traditional method, drawn from the Ars Goetia, involves several precise steps.
Materials required:
- Virgin parchment or clean paper
- A consecrated pen (traditionally a quill from a raven or crow)
- Black ink mixed with consecrated water
- A compass for drawing circles
- A ruler for straight lines
The drawing process: The seal must be drawn during the planetary hour of Venus, on a Friday, when Venus is dignified in the sky. The practitioner recites Psalm 72 while drawing, a practice derived from the Solomonic tradition of combining scripture with magical operation. Each line is drawn in a single continuous motion where possible. Broken lines weaken the seal.
Ritual application:
- The seal is placed within the triangle of art, a separate triangle drawn outside the magic circle.
- The practitioner stands within the magic circle, holding the seal or placing it before them.
- The conjuration is spoken, calling Amy by name and showing the seal as proof of authority.
- The seal acts as a focusing point. The practitioner gazes at it, allowing the geometric patterns to shift their consciousness into a receptive state.
- When the spirit appears, it manifests within the triangle, bound by the seal’s power.
Practical variations: Some practitioners wear the seal as a talisman, charged during the ritual and carried for protection or to attract Amy’s influence. Others inscribe the seal on candles, using the flame as a medium for the spirit’s energy. The seal can also be drawn on the floor of a ritual space, then erased after the operation to prevent lingering energies.
We light ours in a fireproof bowl on the balcony after each working. The seal is burned, its ashes scattered to running water. This closes the contact cleanly.
How the Seal of Amy Compares to Other Goetic Seals
The seal of Amy shares structural elements with all Goetic seals but differs in specific ways that reflect Amy’s unique position.
Compared to the seal of Bael (first spirit, king): Bael’s seal is angular and aggressive, with sharp points and straight lines. It reflects a king’s authority. Amy’s seal is curved and flowing, reflecting a president’s diplomatic function.
Compared to the seal of Paimon (ninth spirit, king): Paimon’s seal includes a prominent crown symbol and multiple concentric circles. It is complex and layered, matching Paimon’s high rank. Amy’s seal is simpler, appropriate for a spirit of the second rank.
Compared to the seal of Vassago (third spirit, prince): Vassago’s seal uses a different geometric base, built on a hexagram rather than a cross. Amy’s cross-based design places it in a different family of seals, suggesting different planetary and angelic correspondences.
The differences are not arbitrary. Each seal’s geometry encodes the spirit’s rank, planetary influence, and specific functions. A trained practitioner can identify a spirit’s nature by examining its seal alone. For more on the hierarchy of these spirits, see our guide to the presidents of the Ars Goetia.
Common Misconceptions About the Seal of Amy
The common error is treating the Seal of Amy as a talisman of the spirit — the object that grants the spirit’s powers by itself. The seal is the focus of the evocation, not the source of the power: the working requires the full apparatus of the Goetic rite — the circle, the triangle, the timing, the operator. Another error is assuming the seals are interchangeable — the same figure under different names. The differences are not arbitrary: each seal’s geometry encodes the correspondence of its spirit — the name, the rank, the office — and the seal of Amy is the seal of the president of the Goetia, with its own form and its own use.
Common Misconceptions About the Seal of Amy
Misconception 1: The seal is a summoning device that forces spirits to appear. The seal does not force. It invites and governs. A spirit can refuse to respond to a poorly drawn or improperly consecrated seal. The seal establishes authority, but authority must be earned through correct ritual practice.
Misconception 2: The seal can be used without the full ritual framework. Drawing the seal on a piece of paper and expecting results is like writing a letter without an address. The seal works within the context of the magic circle, the triangle of art, the conjurations, and the planetary timing. Removing any element weakens the operation.
Misconception 3: The seal is dangerous to look at or possess. The seal itself is inert. It becomes active only through ritual consecration and intentional use. A printed image of the seal in a book has no more power than any other printed image. The danger lies in misuse, not in the symbol itself.
Misconception 4: The seal is a Christian or demonic symbol. The seal predates Christianity in its essential form. It draws on Jewish angelology, Arabic astral magic, and Egyptian temple magic. The Christian framework was added later by European grimoire compilers. The seal is a tool of spiritual technology, not a religious emblem.
FAQ
Can I use the seal of Amy without being an experienced practitioner? We recommend at least one year of dedicated practice in Solomonic magic before attempting contact with a Goetic spirit. The seal is powerful, but it requires a foundation in ritual discipline, protective methods, and spiritual discernment.
Do I need to draw the seal by hand, or can I print it? Hand-drawn seals carry more power because the act of drawing consecrates the symbol through focused intention. Printed seals can work in a pinch, but they lack the energetic charge of a hand-drawn version.
What happens if I draw the seal incorrectly? An incorrectly drawn seal will not work. The spirit will not respond, or worse, a different entity may attempt to use the flawed seal as an opening. Always check your work against a reliable source before proceeding.
The seal of Amy is a precise instrument, not a decoration. It belongs to a tradition that demands accuracy, patience, and respect. For those who approach it correctly, it opens a door. For those who do not, it remains a drawing on paper. The difference is not in the seal. It is in the practitioner.
For a deeper understanding of the Goetic system, explore our complete guide to demonology and the Goetia. Learn how the seals relate to the spirits they govern in our glossary of Goetic seals. For practical instruction on working with the Goetic presidents, read our guide to the presidents of the Ars Goetia.
