Answer-first intro (40-60 words): The sigil of Glasya-Labolas is a geometric seal used in ceremonial magic to summon the 25th spirit of the Goetia. This demon appears as a winged dog and commands 36 legions of spirits. The sigil is the visual key that binds the summoner’s intent to the entity’s presence.
Definition: The sigil of Glasya-Labolas is the identifying mark of the 25th spirit listed in the Ars Goetia, the first book of the Lesser Key of Solomon. This demon is described as a winged dog who teaches arts, sciences, and the ability to become invisible. The sigil is not decorative. It is the summoner’s address line: a precise geometric pattern that, when drawn correctly, establishes the boundary between the operator’s space and the spirit’s domain.
Where Does This Sigil Come From?

The sigil of Glasya-Labolas appears in the earliest surviving manuscripts of the Goetia, most notably the 17th-century manuscripts Sloane 3824 and Sloane 2731 held at the British Library. These texts, compiled from earlier grimoire traditions, list 72 demons with their ranks, powers, and identifying seals.
The name Glasya-Labolas has drawn speculation from scholars. Some trace it to a corruption of the Hebrew phrase “Glasya Labolas,” possibly meaning “the howling one” or “the barking one.” Others point to the Greek “glossa” (tongue) and “laleo” (to speak), suggesting a connection to eloquence and language. Neither etymology is settled. What is certain is that the sigil predates the English translations of the Goetia that popularized it in the 19th and 20th centuries.
The sigil itself follows the standard construction pattern of Goetic seals: a central circle containing intersecting lines, curves, and characters drawn from the magical alphabets of the period. Each element of the sigil corresponds to a specific planetary or elemental attribution. The outer ring typically contains the spirit’s name written in a cipher or in Hebrew characters.
What Does the Sigil of Glasya-Labolas Represent?

The sigil is a visual compression of the spirit’s nature. Every line and curve in the seal of Glasya-Labolas carries meaning, though the exact interpretations vary between practitioners and traditions.
The central circle represents the bounded space where the spirit manifests. The intersecting lines within it form a pattern that resembles both a dog’s paw and a stylized wing, referencing the spirit’s described form. The curves at the top of the sigil mirror the shape of a dog’s ears or a bird’s wings in flight.
The characters written within the sigil are drawn from the Celestial Alphabet and the Passing of the River, two magical scripts used in Renaissance ceremonial magic. These characters function as the spirit’s name written in a language that the demon recognizes as authoritative. The outer ring contains the name “Glasya-Labolas” in a cipher that must be read counterclockwise, a common feature of Goetic seals that reinforces the boundary between worlds.
The sigil’s geometry also carries numerological significance. The number 25, the spirit’s rank, appears encoded in the angles and intersections of the design. The 36 legions under Glasya-Labolas’ command are represented by the 36 total lines and curves that make up the complete seal.
How Is the Sigil Used in Practice?
The sigil of Glasya-Labolas is not a talisman to be worn or carried casually. It is a working tool used within the structure of a formal evocation. The practitioner draws the sigil on virgin parchment or on the floor of the magic circle using specific inks and at specific astrological hours.
The standard method follows the instructions in the Goetia: the sigil is drawn within the triangle of art, the protective space outside the magic circle where the spirit is compelled to appear. The practitioner stands within the circle, holding the sigil or having it placed before them. The sigil is the focal point for the summoner’s will and the visual anchor for the spirit’s manifestation.
When the practitioner calls Glasya-Labolas, they trace the sigil in the air with the ritual dagger or wand. The tracing follows the exact order of the lines as they were drawn on the parchment. This act of tracing is the summoning itself. The sigil is not a passive image. It is an active circuit that the practitioner completes with each stroke.
The spirit is said to appear as a winged dog, though some practitioners report seeing only a shape of light or shadow within the triangle. The sigil remains in place throughout the working. It is the spirit’s doorway and its cage. When the working is complete, the practitioner dismisses the spirit and either destroys the sigil or stores it in a sealed container.
What Does Glasya-Labolas Offer the Summoner?
The Goetia lists Glasya-Labolas as a spirit who teaches all arts and sciences in an instant. This is not a metaphor. The claim is that the spirit can transmit complete knowledge of any discipline directly into the summoner’s mind. Painting, engineering, astronomy, medicine. The spirit is said to deliver the full understanding of a subject in the time it takes to speak the request.
The spirit also grants the ability to become invisible. This is described as a literal invisibility, not a metaphorical one. The Goetia states that Glasya-Labolas can make a person “invisible to all eyes.” Some practitioners interpret this as a form of glamour or misdirection rather than true invisibility. The text does not clarify.
Glasya-Labolas is also listed as a spirit who can incite love between people and reconcile enemies. This places the spirit in the category of Goetic demons who work with human relationships, a function shared with spirits like Sitri and Bune. The spirit is said to be relatively cooperative compared to other Goetic demons, though this may depend on the skill of the summoner.
How Does This Sigil Compare to Other Goetic Seals?
The sigil of Glasya-Labolas shares the same structural DNA as all 72 Goetic seals. Each seal follows the same basic pattern: a central circle, intersecting lines, and an outer ring containing the spirit’s name. But the details vary significantly.
Compared to the seal of Bael, the first spirit, the sigil of Glasya-Labolas is more complex. Bael’s seal uses three simple intersecting curves. Glasya-Labolas’ seal uses multiple layers of lines and curves that require careful attention to reproduce accurately.
Compared to the seal of Paimon, one of the most powerful Goetic kings, Glasya-Labolas’ seal is smaller and less ornate. Paimon’s seal includes planetary squares and multiple rings of characters. Glasya-Labolas’ seal is more compact, reflecting the spirit’s lower rank as a president rather than a king.
The seal of Vassago, the third spirit, uses a pattern of straight lines and sharp angles. Glasya-Labolas’ seal uses more curves and circular elements. This difference in geometry may reflect the different natures of the spirits. Vassago is a prince who reveals past and future. Glasya-Labolas is a president who teaches arts and sciences. The curves in his seal may represent the fluidity of knowledge and the winged form of his manifestation.
What Do People Get Wrong About This Sigil?
The most common misconception is that the sigil of Glasya-Labolas can be used as a protective amulet or a good luck charm. It cannot. The sigil is a summoning tool, not a talisman. Wearing it or carrying it without performing the proper ritual is considered dangerous by traditional practitioners. The sigil is a door. Leaving a door open without knowing who might walk through is unwise.
Another misconception is that the sigil must be drawn exactly as it appears in the Goetia with no variation. While accuracy is important, the surviving manuscripts show variations in the sigil’s design. Sloane 3824 and Sloane 2731 differ in the placement of certain lines and characters. The sigil in Mathers’ 1904 translation of the Goetia differs from the sigil in Crowley’s 1904 edition. Practitioners generally work with the version from their chosen source text and maintain consistency within their own practice.
A third misconception is that the sigil is the spirit itself. It is not. The sigil is a representation and a tool. The spirit is an independent entity that exists whether the sigil is drawn or not. The sigil is the summoner’s way of calling that entity into a specific space for a specific purpose.
FAQ
Can I use the sigil of Glasya-Labolas for protection? No. The sigil is a summoning tool, not a protective amulet. Using it for protection without proper ritual context is considered dangerous by traditional practitioners.
Do I need to draw the sigil exactly as shown in the Goetia? Yes, but the surviving manuscripts show variations. Choose one source text and maintain consistency in your practice. Accuracy matters more than which version you use.
What happens if I draw the sigil incorrectly? The spirit may not appear, or the summoning may produce unpredictable results. The sigil is the summoner’s address line. An incorrect address reaches the wrong destination.
Can I wear the sigil as jewelry? Traditional practitioners advise against it. The sigil is a working tool, not a decorative item. Wearing it without ritual context may attract unwanted attention from the spirit.
Closing
The sigil of Glasya-Labolas is one of 72 seals in the Goetia, each with its own history, geometry, and practical function. Understanding this sigil means understanding the broader system of Goetic magic it belongs to. For a deeper look at the spirits, their seals, and the traditions that shaped them, explore our complete guide to demonology and the Goetia. You may also find our glossary of magical symbols useful for comparing sigil structures across traditions. For the specific ritual procedures involving Glasya-Labolas, see our guide to Goetic evocation.
