When a Viking carver scratched a rune into a bone, he was not writing a letter. He was drawing a symbol that could heal, curse, or speak to the dead. And yet that same shape, in a different context, was a simple vowel in an alphabet. The relationship between runes and letters is one of shared ancestry and divergent purpose: both are systems of writing, but runes were never only writing. They were magic, and that magic was tied to the very shapes of the letters.
Where the Shapes Came From

The oldest known runic inscriptions date to the 2nd century CE, found on metal and bone across Denmark and northern Germany. The script we call the Elder Futhark (named after its first six letters: F, U, Þ, A, R, K) has 24 characters. Most scholars agree that the runes were adapted from one of the Old Italic alphabets, either the Etruscan or the early Latin script, by Germanic peoples who had contact with the Roman world. But they did not copy the letters wholesale. They reshaped them for carving into wood and stone: straight lines, no curves, no horizontal strokes that would follow the grain and split the material.
The word “rune” itself comes from Proto-Germanic *rūnō, meaning “secret” or “whisper.” In Old English it became rūn, in Old Norse rún. The same root appears in Finnish runo (poem) and in the verb “to round” in the sense of whispering a secret. The rune was not a public letter. It was a hidden knowledge.
Why the Distinction Between Rune and Letter Matters

A Latin letter in the Roman Empire was a tool. You wrote a tax record, a love note, a law. The shape of the letter A had no meaning beyond the sound it represented. A rune was different. Each rune had a name that was also a word: Fehu meant “cattle” or “wealth,” Uruz meant “aurochs” (a wild ox), Thurisaz meant “giant” or “thorn.” The shape of the rune often depicted the thing it named. The rune Ansuz (ᚨ) looks like a mouth open in speech, and it means “god” or “breath.” The rune was a pictogram, a phoneme, and a concept all at once.
When a rune master carved a sequence of runes, he was not spelling a word. He was assembling powers. The inscription on the 5th-century Björketorp runestone in Sweden reads: “I, master of the runes, hide here a secret of mighty runes. May he who breaks this monument be cursed with madness and false death.” The runes themselves were the curse. The letters did the work.
How the Alphabet Changed the Runes
The Elder Futhark gave way to the Younger Futhark around the 8th century, as Old Norse simplified its sound system. The Younger Futhark has only 16 runes. The Anglo-Saxon Futhorc, by contrast, expanded to 33 runes to accommodate the sounds of Old English. This was not a decline. It was an adaptation. Runes were still used for everyday writing: trade tags, memorial stones, even a love letter found in Bergen, Norway, from the 12th century that reads “Kiss me.”
But as Christianity spread, the Latin alphabet arrived with the Church. Runes were not banned outright, but they were pushed into the margins. Monks wrote runes in the margins of Latin manuscripts as glosses or magical formulas. The 10th-century Old English poem “The Dream of the Rood” has runic letters carved into the text. By the late Middle Ages, runes survived mostly in folk magic: healing charms, love spells, protection marks on doorposts.
What the Rune Poems Tell Us
Three major rune poems survive: the Old English Rune Poem (8th or 9th century), the Norwegian Rune Poem (13th century), and the Icelandic Rune Poem (15th century). Each lists the runes in order with a verse for each. The Old English poem for the rune Feoh (Fehu) reads: “Wealth is a comfort to all men; yet every man must share it freely if he wishes to gain glory before the Lord.” The rune is not just a letter. It is a moral lesson, a piece of wisdom, a mnemonic for the law.
These poems are our best evidence for the meanings attached to each rune. Without them, modern rune divination would be guesswork. And if you have been pronouncing the rune names with a hard “th” like in “thing,” you are in good company. The Old English and Old Norse pronunciations differ, and we do not have recordings.
How Runes Are Used Today
Modern runic practice splits into two streams. The first is academic reconstruction: reading historical inscriptions, understanding the grammar, dating the stones. The second is esoteric: using runes for divination, meditation, and magic. The modern rune oracle, popularized by Ralph Blum’s 1982 book The Book of Runes, treats the runes as a divinatory system similar to the I Ching. Blum’s system uses the Elder Futhark but assigns meanings that sometimes drift from the historical sources. We do not judge that drift. It is a living tradition.
The Armanen runes, developed by the Austrian occultist Guido von List in the early 1900s, added 18 runes and a mystical philosophy. List claimed the runes were a primordial language of the Aryan race. This claim is not supported by any evidence, and the Armanen system was later appropriated by Nazi ideology. We mention it because it is a historical fact, not because we endorse it. The runes themselves are not political. They are shapes that predate any modern ideology.
Common Misconceptions
The most persistent error is that runes are a complete language. They are not. Runes are an alphabet, a set of symbols for writing sounds. You can write any language with runes, but the runes themselves do not form a grammar or vocabulary. Another error: that runes are inherently evil. This comes from their use in Nazi symbolism and from horror movies. The historical runes were used for protection, healing, and blessing as often as for curses. A rune carved on a drinking horn was meant to prevent poison. A rune on a sword was meant to ensure victory.
A third misconception: that the Elder Futhark is the only “true” runic alphabet. The Younger Futhark was used for centuries in Scandinavia. The Anglo-Saxon Futhorc was used in England. Each is valid for its time and place.
FAQ
Are runes just an alphabet?
No. Runes were also magical symbols with names and meanings that went beyond their phonetic value. But they were always an alphabet first.
Can you write modern English with runes?
Yes, but you would need to adapt the runes to sounds that did not exist in Old English, like the “j” in “jump.” Some modern rune writers use the Anglo-Saxon Futhorc for this.
What is the difference between runes and the Latin alphabet?
The Latin alphabet has no inherent meaning in its letter shapes. Runes have names and concepts attached to each character, and they were designed for carving rather than ink.
Are runes still used today?
Yes, in rune divination, magical practice, and by some heathen and neopagan groups. They are also used in fantasy literature and games, though often inaccurately.
Closing
The rune is not a dead letter. It is a shape that carries a secret, a whisper from a time when writing was rare and therefore powerful. For more on the scripts that bridge writing and magic, see our guide on magical alphabets and the glossary of runes. The vertical hub for esoteric writing systems is here.
