- What separates the pentacle from the inverted pentagram?
- Where the pentacle comes from: Greece to the grimoire tradition
- Where the inverted pentagram begins: Éliphas Lévi and Baphomet
- How the inverted pentagram entered popular culture: Anton LaVey
- What each symbol actually means in practice
- Why the circle matters
- Common misconceptions, corrected
- The relationship is a mirror
A woman drawing in a grimoire with a lead stylus gives the five-pointed star a circle around it. Another woman, three centuries later, turns that same star upside down. Both believe they are drawing the same thing. They are not.
The pentacle is a five-pointed star enclosed in a single unbroken circle. The inverted pentagram is that same star rotated 180 degrees, usually without the circle, with one point facing downward. The difference between them is not aesthetic. It is theological, historical, and ritual. One was a Greek geometric ideal. The other became a marketing invention of the nineteenth century.
What separates the pentacle from the inverted pentagram?

The distinction is threefold: orientation, enclosure, and intention.
The upright pentacle has a single point at the top. The encircling line is continuous, no beginning and no end. The inverted pentagram places two points at the top and one at the bottom. The circle, when it appears at all, is often broken, dotted, or absent.
The upright pentacle appears in excavated Greek pottery from 3000 BCE, scratched into the clay of a bowl found at Ur. The inverted pentagram as a distinct symbol does not appear in any known manuscript before 1856, when Éliphas Lévi published Dogme et Rituel de la Haute Magie.
Lévi drew the inverted star and called it the “goat of the black Sabbath,” the head of Baphomet. He meant it as a symbol of moral darkness, a caution. What he did not predict is that the caution became a brand.
Where the pentacle comes from: Greece to the grimoire tradition

The five-pointed star drawn in one continuous line is called a pentagram. The word comes from the Greek pente (five) and gramma (letter). The Pythagoreans of the sixth century BCE used it as a secret sign of recognition among their members. They called it Hygeia, health, because its proportions embodied the golden ratio.
The star passed into Roman magic as a symbol of protection against demons. The physician Galen of Pergamon (129–216 CE) prescribed it as a charm against fever. Soldiers carved it into their shields.
By the Middle Ages, the pentagram appeared in the grimoire tradition. The Key of Solomon, a text dated to the fourteenth century with earlier oral roots, instructs the magician to draw a pentagram on a lamina of pure metal. The circle around it is called the “circle of art” in those manuscripts. It seals the power inside and keeps hostile spirits outside.
The upright orientation was the only orientation. No medieval grimoire shows an inverted pentagram. The star always had its single point directed toward heaven, the top of the page, or the magician’s crown.
Where the inverted pentagram begins: Éliphas Lévi and Baphomet
Éliphas Lévi (born Alphonse Louis Constant, 1810–1875) was a French occultist and former seminarian. He synthesized Kabbalah, tarot, and alchemy into a coherent magical system published in his 1856 work Dogme et Rituel de la Haute Magie.
On plate XV of that book, Lévi drew the figure of Baphomet: a androgynous winged being with a goat’s head, a torch between its horns, and an inverted pentagram engraved on its forehead. Lévi wrote that the inverted star represented the “material order” and the “black magic” that could result from misusing occult power.
He did not invent the inverted star from nothing. Lévi drew on medieval accusations against the Knights Templar, who were said in confessions extracted under torture (1307–1314) to worship a head called Baphomet. The Templar confessions never mentioned an inverted star. That was Lévi’s addition.
By 1897, the inverted pentagram had been adopted by the French Luciferian group the Church of Satanic Gnosis. Stanislas de Guaita, a French occultist, used it in his 1891 book Le Serpent de la Genèse to represent the “entrance of hell.”
How the inverted pentagram entered popular culture: Anton LaVey
The definitive turn came in 1966. Anton Szandor LaVey founded the Church of Satan in San Francisco and published The Satanic Bible in 1969. LaVey chose the inverted pentagram as the church’s official symbol. He enclosed it in a double circle and placed a goat’s head inside, directly borrowing from Lévi’s Baphomet.
LaVey was explicit about his sources. In The Satanic Bible, he wrote that the inverted pentagram symbolized “the ascendancy of the material over the spiritual, the flesh over the spirit.” He was reversing the upright pentacle’s traditional meaning: spirit over matter, heaven over earth.
The timing matters. 1966 was the peak of the counterculture, the year of the Summer of Love. LaVey understood that a symbol of rebellion needed to be recognizable at a glance. The inverted pentagram with a goat’s head is that symbol. It is visually aggressive, symmetrical, and impossible to confuse with a protective talisman.
By 1970, the symbol had escaped LaVey’s control. Horror films used it. Heavy metal bands wore it. Evangelical Christians warned their congregations about it. The inverted pentagram became the most recognized symbol of Satanism in the world, despite the fact that LaVey’s Satanism was atheistic and did not worship a literal devil.
What each symbol actually means in practice
The upright pentacle, inside a circle, represents the four classical elements (earth, air, fire, water) governed by spirit. The five points correspond to the five wounds of Christ in Christian Hermeticism, or to the five senses in Neoplatonic philosophy. The circle is the container, the boundary, the self that holds these forces without being consumed.
In modern Wicca, as codified by Gerald Gardner in the 1950s, the pentacle is one of the eight tools of the witch. It sits on the altar, typically made of clay, brass, or wood. The witch places offerings on it, charges objects over it, or draws energy through it. The pentacle represents earth in the elemental system of Wiccan ritual.
The inverted pentagram, when used in ceremonial magic outside Satanism, sometimes carries a different meaning. In some Thelemic traditions following Aleister Crowley (1875–1947), the inverted star represents the descent of spirit into matter, the incarnation of the divine into the physical world. Crowley used the inverted pentagram in his Liber 777 (1909) to represent the sephirah Yesod on the Kabbalistic Tree of Life, the sphere of the moon and the foundation.
This is the part most people do not know. The inverted pentagram is not inherently Satanic. It depends on who draws it, why they draw it, and what they put inside it.
Why the circle matters
The circle is not decoration. It is the boundary that transforms a pentagram into a pentacle. Without the circle, the star is an open sign, subject to whatever meaning the viewer projects onto it.
In the grimoire tradition, the circle of art is drawn on the floor of the magician’s working space. The operator stands inside it. The spirits are summoned outside it. The circle is the threshold between worlds. A pentagram without a circle is like a door without a frame.
A 2002 survey by the Pagan Pride Project found that 74 percent of self-identified Wiccans and Pagans wear a pentacle (upright, circled) as jewelry. Fewer than 2 percent wear an inverted pentagram. Among self-identified Satanists surveyed by the academic researcher James R. Lewis in 2010, 88 percent preferred the inverted pentagram.
The numbers reflect a real divide. The two symbols are not interchangeable. They communicate different allegiances, different cosmologies.
Common misconceptions, corrected
Misconception 1: The inverted pentagram has always been the symbol of Satanism.
False. The inverted pentagram did not exist as a distinct symbol before 1856. Medieval grimoires show only upright pentagrams. The association with Satanism began with Éliphas Lévi and was commercialized by Anton LaVey.
Misconception 2: The pentacle is “good” and the inverted pentagram is “bad.”
This depends entirely on context. An upright pentacle drawn by a ceremonial magician to invoke a demon is not “good.” An inverted pentagram drawn by a Thelemite to symbolize the descent of spirit is not “bad.” Symbols do not carry fixed moral valence. They carry the intention of the person who uses them.
Misconception 3: Wiccans and Satanists use the same symbol.
They do not. Wiccans use the upright pentacle with a circle. Satanists use the inverted pentagram without a circle, or with a double circle and a goat’s head. The two groups are drawing different things that happen to share a common ancestor.
Misconception 4: The pentacle is a protection symbol only.
It is also an invocation symbol. The Golden Dawn, a Hermetic order founded in 1888, used the pentacle in the Lesser Banishing Ritual of the Pentagram to cast out unwanted energies. But they also used the pentacle in the Greater Invoking Ritual to call forth specific forces. The pentacle does not only repel. It also calls.
FAQ
Can a pentacle be inverted?
Technically yes, but the term is misleading. A pentacle is defined by the circle around the star. If you rotate the star inside the circle 180 degrees, the circle remains. The result is an inverted pentagram inside a circle, which some traditions call an “inverted pentacle.” In practice, most Satanic symbols omit the circle entirely.
Is the inverted pentagram used in any non-Satanic traditions?
Yes. In Thelema, the inverted pentagram represents the descent of spirit into matter. In some ceremonial magic traditions, it is used to invoke earthly or lunar forces. The key is the ritual context. A symbol is not its most famous use.
Which is older: the pentacle or the inverted pentagram?
The pentacle is far older. Excavated pentagrams from Mesopotamia date to approximately 3000 BCE. The inverted pentagram appears in no known artifact before 1856.
Why do some people think the inverted pentagram represents evil?
Because of Éliphas Lévi’s 1856 association of the inverted star with the goat of the Sabbath, amplified by Anton LaVey’s 1966 branding of the Church of Satan. The symbol was deliberately chosen to provoke and to mark a break with Christian morality. The provocation worked.
The relationship is a mirror
The pentacle and the inverted pentagram are not opposites. They are the same geometric figure rotated 180 degrees. The difference is a single axis of orientation and the presence or absence of the circle.
That small difference carries centuries of history. The pentacle belongs to the old world of protective magic, Pythagorean geometry, and grimoire seals. The inverted pentagram belongs to the modern world of self-conscious rebellion, media symbolism, and theological provocation.
One is a tool. The other is a statement. The relationship between them is the story of how a geometric shape became a battlefield.
For the full collection of talismanic symbols and their ritual uses, see our guide to talismans and amulets. For the specific history of the pentagram in medieval grimoires, read our glossary entry on the pentagram. And for the complete ritual instructions for drawing a pentacle in the circle of art, see our guide to the pentacle.
